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Here Today, Gone to Moro

Chef Michael DiBianca abandoned his acclaimed artistic take on classic Italian dishes in favor of more flavor. The results are simply delicious.

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The pan-seared veal rollatini is stuffed with roasted tomato, fontina and basil and served with chanterelle mushrooms, housemade veal bacon and fresh herbs. Photograph by Jared CastaldiMoro
1307 N. Scott St., Wilmington
777-1800, mororestaurant.net

Prices
Appetizers-small plates: $6-$12
Main courses: $10-$25

Recommended Dishes
Spicy roasted mussels, ravioli Bolognese, fennel-lemon chicken, daily fish selection

 

Chef Michael DiBianca, like many of our favorite actors, comedians and surgeons, is lauded for his ability to improvise.

Dig the way his Website promulgates such sparkling copy as “culinary whims” and (my favorite) “Cooking is an art, and art is never the same.” More apt examples were the chef’s legendary five-course tasting dinners at his Moro restaurant, his ochre-hued and slightly hidden bistro on Scott Street in Wilmington.

Since Moro’s beginning, its New American-Mediterranean plates have, indeed, been art. Colorful and whimsically constructed, DiBianca’s dishes, with high-end and effete ingredients such as lavender-scented foie gras with roasted plum demiglace and blue cheese crumbles, wowed just about everyone. Critic Pam George wrote “Moro can claim the ‘X’ factor, the star quality so bandied about on ‘American Idol.’ It has the perfect blend of whimsy, style, talent and, perhaps most importantly, good taste.”

Server Melissa Mills brings a popular blood orange martini. Photograph by Jared CastaldiApplause from critics grew to a peak last year, when restaurant guide bible Zagat gave Moro the highest food score in New Castle County.

Which I guess, to DiBianca, is the perfect time to change everything.

There’s that improv again. In October the chef initiated the biggest change in Moro’s eight years. He ditched the ring molds and the Hawaiian pink salt and adopted a simpler, more rustic approach to Italian cuisine.

But why? Especially if it endangers that X factor?

“Mostly it was out of boredom,” he says with a laugh. “My background is for this sort of stuff. New American was something that allowed me to do whatever I wanted.”

Page 2: Here Today, Gone to Moro, continues...

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